Before he gave us the devil horns, Ronnie James Dio was in other bands with uh… different sounds.
I’ve always loved do-wop, so this is pretty cool to me. 🙂
Before he gave us the devil horns, Ronnie James Dio was in other bands with uh… different sounds.
I’ve always loved do-wop, so this is pretty cool to me. 🙂
I’ve always liked the band, Little Caesar. They were so strong, so tight, such a great band, made such great music.
I always wondered what happened to them. I figured Nirvana came along and it’s what killed them. Well, a bit, but there was a LOT more to it. I found this interview with Ron Young that explains it all:
Here’s part 1
and part 2 (which has the bulk of “what happened”):
And check it out. New album, Redemption. iTunes link. Sounds good. Ron’s vocals haven’t missed a beat.
Some years ago at a Scout campout we adults were sitting around the campfire, talking about whatever. The subject of bands came up, specifically trying to think of bands that did OK after lineup changes. Many names arose, and ones we struggled with the most were bands that changed the lead singer and still did OK.
Spike has a list of 9 bands that did better after changing their lead singer.
Pretty good list. Reading that prompted me to revisit this question that our campfire discussion ultimately turned to:
What is it that makes a band a band?
Is Van Halen still Van Halen with Sammy singing? Maybe, but then how about when Gary Cherone took over? Or perhaps less volatile a discussion is Bon Scott and Brian Johnson. In both of those cases, the singer and frontman changed. Sammy vs. Dave was certainly a bigger change, with Bon and Brian being somewhat similar in vocal style. Then you look at Journey… Steve Perry’s vocal sound is so vital to being able to hear a song and say “that’s Journey” that since Perry left the band they’ve only been successful when they had a new guy up front that sounded like Perry.
So then if the frontman is so vital, is Guns-n-Roses of today still GnR? Or is it really just the Axl Rose show. Would Velvet Revolver be closer to say what GnR really is?
Look at KISS. The prime creative forces there were always Gene and Paul and that remains the case today. Or is KISS more about the other stuff than the music? Is what makes KISS KISS the make-up, the theatrics, and the merchandising?
Did it matter to have a rotating slew of drummers in Slayer? Or would Slayer be the same if Kerry and Tom left?
Was it right to end Led Zeppelin when Bonzo died, but yet somehow call Page and Plant playing together a Zep reunion? Or how about when Keith Moon died and now Entwistle… is Daltrey and Townshend and a bunch of hired session guys still The Who? Consider as well many bands still touring on the nostalgia circuit that maybe just have the horn player as the only “original” member. Is that still the band? Consider a band like Napalm Death where today none of the founding members are still in the band but by 1990’s “Harmony Corruption” a lineup solidified that essentially remains today and has come to define what the band is.
I’ve often felt that what makes a band a band is the creative force behind that band. Who are the primary songwriters? Who are the primary “expressers” in the band… meaning the people that primarily give the expression to the band, which could be the vocal style, could be the guitar sound, could be the drumming, could even be who is the one out there getting all the face time on TV and such (e.g. Scott Ian is Anthrax, or at least he’s the one keeping himself on TV and is the face most associated with Anthrax). For example, Metallica wouldn’t be Metallica without James and Lars, because it’s them and their creative drive and tension that makes that band. They could replace Kirk with another shredder (remember, Kirk replaced Dave Mustaine) and they have demonstrated they can replace bassists… but you can’t replace Lars and James and still call it Metallica. You can’t replace the Young brothers and still call it AC/DC. You can’t replace Steven Tyler and Joe Perry and still call it Aerosmith.
So what do you think?
I never was a huge fan of Death (never been a big death metal fan), but Chuck Schuldiner certainly was a pioneer of the genre.
I did find it cool how they progressed over time, with later albums growing more technical.
Just listened to a few tracks off the forthcoming Overkill album, Ironbound.
“Bring Me The Night” will apparently be the first single (or at least a video is being shot for it).
The title cut
Damn. It sounds good. Going to have to pick this album up.
What would Headbanger’s Ball have been if Prong didn’t provide the soundtrack?
Breaking a bit from having Sunday Metal being about a band, here it’s about a song.
The original, by Slade:
The Runaways:
The first version I was exposed to, Quiet Riot’s:
Joe Satriani covering “Silent Night”. Not much on the video to watch, but a lot to listen to… and that’s the important part.
Merry Christmas.
Merry Christmas.
Cartoon Network was tuned in on the TV.
A “commercial” comes on… one of those spots that has a montage of the network’s original shows and characters to promote the network itself. And then… the soundtrack.
Blitzkrieg Bop, by The Ramones
I don’t know what to make of it.
The Ramones being used as the bed music for a commercial to promote Time-Warner’s products.
Something just doesn’t seem right about that.
On the flip side, it should expose a new generation to The Ramones, which is cool.
But part of me wonders what people would think if instead we told them to beat on the(ir) brat with a baseball bat. 😉