Suicide’s An Alternative – early demo version

Sitting and working in my office, listening to early Suicidal Tendencies.

Went looking on YouTube and found this, an early demo version of “Suicide’s an Alternative”.

Pretty cool. Very raw.

Updated: Whoa. Some more stuff.

“War Inside My Head”. But… is it? There’s no singing (well, maybe there is… I *think* I hear something faintly in there but can’t really tell), and it sounds nothing like the “final” version of the song.

“I Saw Your Mommy”. Boy… Mike sounds like a young kid. 🙂  He was probably 19 when this was recorded.

Another version

This is a great thing about the Internet. Finding gems like these.

Tres Brujas

Austin’s own The Sword have a new album coming soon (Aug. 24) called “Warp Riders”.

They just released a single from it, Tres Brujas.

It sounds… different. Still The Sword, but still different. But production also sounds a little slicker… maybe it’s just that.

The stuff I saw them perform live when opening for Motörhead a few months back? It sounded awesome, so I’m still looking forward to the new album. I won’t judge it by a single.

Just have to wait until next month to see….

Sunday Metal – Assjack

I’ve known about Hank III for a while but never got around to checking his stuff out, be it his country stuff or his more metal efforts.

I recently went through his catalog and it’s pretty damn good. I really like his country work: it’s outlaw country of the modern age. Damn good stuff.

But this is Sunday Metal, so I present “Choking Gesture” from his band Assjack, recorded right here in Austin at Emo’s.

Black Bone Child @ Saxon Pub

This past week a friend was visiting from out of town. Austin being known for its live music, he wanted to check out some sort of live music. So we looked at the list of bands playing around town last night. Of course, we had no idea who was who, so Google was our friend. My friend also suggested to just pick a venue I liked and we could just go there. That helped, so I looked at The Saxon Pub. A band called Black Bone Child was playing. Found their website, listened to some music samples, and figured that wasn’t too bad a choice.

They hit the stage shortly after 8:00 PM and just played song after song.

Musically we dug the band. They seemed pretty tight, had a good sound, good groove, some soul. All things sounded good enough to want to investigate them more afterwards (e.g. buy a CD and spin it for a while at home). We left before they finished so we didn’t have a chance to buy a CD (don’t even know if they had any for sale), but I’m looking at them this morning at the iTunes music store.

My friend commented that nothing about the band stood out… like there was no melody that stuck in his head such that he’d be humming it on the way out the door and still playing in his head the next morning. I’ll agree with that on two counts. First, every song felt like it was a study in the key of E. That is, it’s very guitar-driven music and so that 6th low open E string often becomes the foundation for most rock songs and these guys didn’t sound any different. While certainly there was some good songwriting, some different structuring, there was something about the overall tone that felt the same from song to song. Things just seemed to blend one into the next. Which brings up the second point: everything was a blended blur.

I recall hearing big successful bands saying how back in their early club days they didn’t play like they were playing in front of 20 people, they played like they were up in the arena playing in front of 20,000 people. If I closed my eyes last night my ears would enjoy what I heard. But since my eyes were open, they wanted to see something too. There was nothing going on up on stage. In fact, one of the guitar players had a look on his face like he didn’t want to be there and just wasn’t into what he was doing. Come on! Smile! Show some facial expressions. Get into your playing! Don’t the band members interact with each other any? I don’t expect some KISS pyro show, but you can at least be a little alive up there. If you’re having a bad day, get over it and don’t show it on stage because you’re there to do a job, put on a show, and entertain us. If I just wanted to hear the music, I could spin your album on the stereo at home, but I’m out to see live music so let’s see some live music. Talk with the crowd some. Give some interaction. Assume that since you’re an unsigned and up-and-coming band that there’s probably at least one person in that audience that has no idea who you are and what your songs are, so maybe introduce them so we can know the name (maybe we liked that song and now that we can know the name it’ll help us want to seek it out again). Oh, and don’t mumble either… when the singer finally said the name of the band (after 3 songs) he was so quick and a bit mumbled that if I didn’t know the name of the band I would have been asking “what??!?!?! who?!”.  And if you have merch for sale, say so.

So, they have the music part down pretty well, but they really need to work on the live show part, IMHO. Give people a reason to want to come and see you live.

Don’t get me wrong. I overall enjoyed it. Found myself tapping my feet and digging the tunes. I hope the best for them. I wouldn’t be opposed to seeing them again, but I’ll give them a little time in hopes they’ll work on their show a bit.

Sunday Metal – America The Beautiful

It’s July 4, Independence Day in the USA.

This appears to just be a video that someone put together, showing scenes of the USA. The soundtrack is “America The Beautiful” as performed by Zakk Wylde from Black Label Society’s album “1919 Eternal”. I just thought it’d be a fitting song for today (and retention for the blog category).

And in the same vein, Zakk doing the “Star-Spangled Banner”

Baby Makes Her Blue Jeans Talk

I have never seen this before. I have no idea who “Dr. Hook” is. This is one of those things where you’re watching something on YouTube, you look in the “related” links, and then you’re bored so you just keep digging deeper and deeper into the related links.

Next thing you know, you find weird gems like this:

Sunday Metal – Uriah Heep

Believe it or not, I didn’t get into Uriah Heep until just recently.

I recall hearing the name all through my younger years. I’d read magazines like Hit Parader and recall hearing about evil rock concerts by devil worshiping bands like Mötley CrĂĽe and Uriah Heep. So I’ve always known about them, but just never had any albums nor listened to them.

But I came across something a few months ago and I was able to listen to a fair lot of their catalog.

OK, they don’t sound very metal, at least if you consider metal to be things like Testament, Hammerfall, Megadeth, Slayer, and the like. But the Heep’s influence is evident, and a lot of metal (even if you look at hard rock and “hair metal”) wouldn’t be around if not for them.

“The Wizard” certainly isn’t very metal sounding, but it’s a cool song (and the Indian pants rule). And it’s got hot 70’s chicks dancing in the background. 🙂

Sunday Metal – Sepultura

Sorry, without Max (and Igor), it’s not Sepultura.

One of my favorite bands in their (sub)genre. Fast, dissonant yet melodic. Technical, with a groove, thrash, moody; like Prego, it’s in there. Max’s growl wasn’t death cookie monster but yet due to his accent had a different sound.

When “Arise” came out, I was working college radio. Roadrunner Records did a huge promotion of it. I recall getting some video of a live show in Barcelona, a nice-sized pewter pin that replicated the “Beneath the Remains” album cover, a vinyl picture disc of “Arise”. Even that summer I took my leather biker jacket and got the “tribal S” airbrushed onto the shoulder. Yeah, I liked ’em.

But then, Max left. Just not the same.