Movie Review – Where The Wild Things Are

The book Where The Wild Things Are is a favorite in our house. It’s been on our bookshelf for years, and of course with the movie now out the book found new life again. All 10 sentences of it, all beautiful artwork of it.

Daughter wanted to go see the movie, so we piled the family and some of Daughter’s friends into the car and went to go see it. Besides, time at The Alamo Drafthouse is always good. 🙂

Going in to the movie, we didn’t know what to expect. In discussing the movie with other parents, some expressed concern if the movie would be appropriate and/or too scary for the kids. My basic take was that of author Maurice Sendak:

Reporter: “What do you say to parents who think the Wild Things film may be too scary?”

Sendak: “I would tell them to go to hell. That’s a question I will not tolerate.”

Reporter: “Because kids can handle it?”

Sendak: “If they can’t handle it, go home. Or wet your pants. Do whatever you like. But it’s not a question that can be answered.”

[…]

Sendak: “I think you’re right. This concentration on kids being scared, as though we as adults can’t be scared. Of course we’re scared. I’m scared of watching a TV show about vampires. I can’t fall asleep. It never stops. We’re grown-ups; we know better, but we’re afraid.”

Reporter: “Why is that important in art?”

Sendak: “Because it’s truth. You don’t want to do something that’s all terrifying. I saw the most horrendous movies that were unfit for child’s eyes. So what? I managed to survive.”

Granted, Sendak sounds rather gruff and irritated at the whole notion, and I’m not feeling that way about it. But I do agree with the basic sentiment. OOOO… the movie might be scary, we can’t let the kids see that! Must shelter our kids from all things negative! Well, if that’s the way you feel about it, don’t go see the movie. If you want to see the movie, then be prepared for whatever the artistic vision of the director and crew happens to be.

The book is not a “shiny happy people holding hands, living happily ever after” sort of story. Consider that Max starts out creating mischief — he is misbehaving and his mother gets angry with him and sends him to bed without supper. The first thing that happens in the book is the kid gets punished for bad behavior. It rolls from there. What is it doing? It’s exploring a child’s technique for coping with anger. And it so happens to have some chaos, some scary monsters, and even that those scary monsters do scary things. Sure the illustrations in the book may not look like something out of Fangoria magazine, but if you do look at their subtle expression and behavior and couple that with the text, especially when Max leaves the island, those monsters are doing some scary ugly things.

I won’t take my kids to see some truly scary slasher film. They’re certainly not ready for that level of suspense/horror type of movie (and given those aren’t my personal cup of tea either, I doubt we’ll be going any time soon anyway). But if there’s a little suspense, a little bit of “negative emotion” to have to experience, why is that so bad? That’s life. Better my children experience and learn about them in an environment where they can learn and be shaped and directed in a good way by their parents (you know, post movie viewing discussion), than for them to always be so sheltered and never really learn and thus become crippled and unable to really cope with the realities of life, warts and all that it brings.

That all said… how was the movie?

I enjoyed it. So did Wife and Children and Friends of Children.

I don’t want to say too much as I don’t want to spoil it, because the movie and the book are not the same. The screenplay is certainly based upon the book and follows it as best as it can. But hey, you’ve got a lot of time to fill from such a small and sparse book, so understandably a lot of artistic license had to be taken. That said, they did keep to the spirit of the storyline, just fleshed it out heavily. I think it was well done. Much of what was done prior to Max going to the island did a great job of setting the stage, down to small little details. The camera work was well done too (you’ll see what I mean); it delivers perspective.

Was it scary? I don’t think so. Yes, there were tense moments. There’s coping with anger, grief, loss, loneliness, sadness. There is a lot of lashing out… rage… just letting one’s emotions out, even if they aren’t politically correct “everyone’s a winner” sort of things. Will this hurt kids? I don’t think so. Granted, some very small children might be freaked out by the monsters. If you wonder if this might be the case, let your child watch the previews online or TV commercials… if the monsters freak the kids out there, don’t bother seeing it. But really, I also think very small children shouldn’t bother seeing the movie. I felt the intent of the movie was deeper than a 4 year old could understand. It’s not some Disney movie where there’s singing and dancing and even an infant can smile and giggle all the bright colors, action, and general superficial happiness. But slightly older kids (even upper-single-digit-ages) should be able to handle it alright. However your kids take it, I do think it’s good to discuss the movie afterwards. What they saw, their take on what the movie was about and the things that went on in the movie. Give your kids a healthy perspective on what they experienced.

Spike Jonze has come a long way as a director. I remember his first music videos and they were always cool. He did a great job here. I liked that the monsters were real (apparently made in Jim Henson’s Creature Shop), and the only CGI was to help with their mouths and facial expressions. It really helped the warmness of the movie because Max and the monsters could touch each other and directly interact.

All in all, I enjoyed it. It explores darker emotions, but they are emotions that we all have. Better to acknowledge them and learn how to deal with them, than to ignore and avoid them.

Ki Cho Hyung – Old School

Ki Cho Hyung is the foundational form learned in Kuk Sool. It is learned at the white belt level. It is not an easy form, it is not a beginner form. It is a foundational form. All things in Kuk Sool build upon it. It remains one of my favorite forms.

I wrote an article about Ki Cho Hyung and included this video:

Ki Cho Hyung is being performed by Master Sung Jin Suh (oldest son of founder/Grandmaster In Hyuk Suh, and heir apparent to the throne). It’s very slow and stylized, to point out the ideal technique and performance of the form.

Compare now to this performance of the form:

That performance was done by In Hyuk Suh, and I believe is the original version of Ki Cho Hyung. Anyone that says Kuk Sool hasn’t changed or evolved doesn’t know their history.

While the form remains fundamentally the same, some differences are:

  • Hand motion and placement in part 1 (e.g. where’s the initial block, cover, punch?)
  • Part 4’s slightly different hand motions in the middle section.
  • Where is part 5?
    • I was told that part 5 was a later addition. Furthermore, I was told the only “developed” part of part 5 was the first half of it. Ever notice that the second half of part 5 is just like part 4? Well, they apparently needed a way to finish out and so there we go… just add that in so there’s some sort of “finish” to that part.
  • Hand movements and motions are much more flowery (e.g. end of part 1, all of part 6… well, part 5 in the video).

What other subtle differences can you pick up?

Barry & Choon Ok Harmon

Masters Barry and Choon Ok Harmon are wonderful people. I always enjoyed the seminars taught my Master Barry, as he is a wealth of knowledge and a pretty nice guy too. One thing that’s always great about them is watching their demos. Since they are married, they have a special harmony and it always showed in their demos… with of course, Choon Ok always getting the best of Barry. 🙂

There are lots of good video out there of the two of them performing together. I especially love their weapons demonstrations with Choon Ok using the double short sword and Barry the single straight sword. I’ve been trying to find more video demo of just the two of them together but can’t. Lots of them demoing with others.

Oon Hak Hyung

Oon Hak Hyung or “Crane Over Cloud” form is learned at the 5th degree black belt level in Kuk Sool.

Previously I linked to a video of Master Sung Jin Suh that had some snippets of his performance of Oon Hak Hyung along with other things.

Well, the World Kuk Sool Association 2009 World Tournament was just held last weekend and someone has posted video of the Masters demo. What I was thrilled about was seeing a complete performance by Master Sung Jin Suh of Oon Hak Hyung:

Unfortunately I can’t get wordpress.com to preroll the video to the performance, but you can flip ahead to 1:11 in the video to see it.

I have never seen this form interpreted as well as Master Sung Jin does it. His performance is amazing. The power, grace, fluidity. It’s simply awesome.

The video has some other cool things too. I really enjoyed Master Jack Harvey’s demo at the end of the video. Fun. 🙂

Kuk Sool Animal Techniques

The curriculum of the martial art of Kuk Sool does contain animal techniques. Unlike Chinese arts which may form a style around the characteristics of a single animal, Kuk Sool looks to view animals as a whole. There are things we can learn from animal fighting styles and techniques, but we are humans, not animals. Thus when Kuk Sool views animal techniques, they take principles from the animals and adapt them to human means.

Some years ago I found a reprint of an article that discussed animal techniques in Kuk Sool. The website is long gone, but I saved the article in PDF’s.

Here’s an old video of Master Barry Harmon demonstrating various animal techniques.

Return of the Dragon

I would love to know what the backstory is for the production of this video. Looks like it was done in a quasi “kung fu action theater” style, but as some sort of a promotional vehicle. I know In Hyuk Suh has a good sense of humor, and back in the 70’s when he first came to the US he was looking to do all he could to promote and publicize his art.

It’s good fun, and demonstrates Kuk Sool curriculum.

It reminds me of The Curse of Chubbs (starring my former instructor, Dewain Perry)

More Kuk Sool Videos

Kuk Sool Won Master Gene Gause of Valencia, California has quite a collection of old and new Kuk Sool Won videos.

I personally love seeing the old stuff. There’s obviously a huge video library in people’s private collections of old Kuk Sool Won videos, from demos to training tapes to promotional materials. It’d be great if it could all be put online for people to experience.

That said, you can see a lot of Master Gause’s efforts on two YouTube channels:

TheDragonClips channel (I suspect this is Master Gause himself)

richhewton channel (I believe a student of Master Gause)

I’m going to make some separate postings of some of these videos as I think they deserve their own discussion.

Thank you Master Gause for putting these online. Looking forward to more!

Kuk Sool-related blogs

Came across two blogs.

The first is Fighting Fit at Fifty, the blog of 6th degree black belt, Master Martin Ducker.

The second is Duckeys Health Corner, a personal health blog of SBN Rachel Ducker (daughter of Master Martin Ducker). Some fantastic looking recipes there. Have to try some.

The Three C’s

The following was written by Tom Givens. I merely reformatted it.


I recently saw an interview with Bill Murphy, a senior instructor at Gunsite. He said the purpose of professional firearms training was the Three C’s: Competence, Confidence, and Control. According to Murphy, Competence begets Confidence. Confidence allows you to stay in control of yourself, and the situation. Sage advice.

Competence: It’s really hard to imagine how anyone could argue for less competence in a life saving skill. The defensive use of a firearm has vast, far reaching implications. You may not need a defensive firearm more than once or twice in your entire lifetime, but the need will be extremely severe. Your life, the lives of loved ones, and the lives of innocent third parties may literally hinge upon your competence. Your actions will be reviewed long after the fact by both civil and criminal authorities, and poor performance on your part may ruin the rest of your life, assuming you survived the encounter. There is simply no excuse for being incompetent with a firearm, if you’re going to carry one for self defense.

Murphy touched on the other, often overlooked aspect of competence. As you train and practice you build skill. As you build skill, you also build confidence. Confidence: This is an essential characteristic of successful warriors. If your team gets on the bus thinking, “We’re going to get our butts kicked tonight”, guess what. You sure are! You lost that game before you ever set foot on the playing field. Confidence in one’s skills allows the mind to remain calm and assess tactical options. This avoids panic and translates into efficient motion and good hits. You must be able to keep your wits about you in a crisis, and this is far easier if your own mind knows you have the physical skills to deal with the situation. Note that this is NOT bravado, but a calm assurance that you have the skills needed to win.

Control: Ninety percent of gunfighting is mental. If you can control yourself, you can control the situation. This is made infinitely easier if your physical skills (gunhandling/marksmanship) have been ingrained through hard work to a reflexive level. This frees the mind to work on the other issues, like keeping watch on their hands, being aware of nearby cover or escape routes, where are bystanders/family members, etc. You cannot keep up with these variables and think about how to run your gear at the same time. Confidence in your gear and your skills give you control.

Competence/Confidence/Control